This Ring is round And hath no end…

The True Lover's Knot "turns" 210 years old this Friday, December 9th. Hugh Pugh, the pen-artist, signed and dated the artifact: Bedford County Decem'r 9th 1801.

"This Ring is round
And hath no end
So is my Love
To thee my Friend
Mary Fisher"

(Verse appears within the left circle of the labyrinth.)

"Be thankful. Be humble. Seek Mercy." I have utilized excerpts from Hugh Pugh's letters home to his children in Radnor, Pennsylvania written in 1803 and 1807, to create a set of three new postcards highlighting his thoughtful, anguished at times, missives to the family he left behind in Delaware County. They are printed on 5" x 7" card stock with rounded corners and I paired them with "hipstamatic" images I took this fall where I work part time at Cedar Run Wildlife Refuge in Medford, New Jersey.

Somehow the trees, with their fragile, close-to-falling leaves represented, in my mind, Hugh's separation from his own offspring. A little poetic license on my part, I admit, but when I think of Hugh alone, and obviously lonely, from the tone of those letters I continue to wish I could find out what became of him ultimately. Still no luck finding his last resting place, but I've put some of the research on hold in any case. Hoping that with all the new ancestry resources out there, eventually I will be able to solve the mystery of his last home on this mortal coil.

BBC History of the World in Objects Screenshot

A screenshot of the page containing the True Lover's Knot, which was accepted following review by the BBC A History of the World in 100 Objects. The "Knot" also appears in their Flash timeline, by scrolling along the vertical bar on that page to 1801.

Fraktur Symposium

Attended the Fraktur Symposium yesterday held at the main branch of the Free Library of Philadelphia. A day long free (!) event featuring speakers who are expert scholars in the field.

Dr. Don Yoder, U of P, spoke in the afternoon—detailing his suggestions for advancing research on Pennsylvania's Fraktur traditions.

Thrilled to hear him suggest that research needs to be done regarding True Lover's Knots, which he termed a "parallel form to Fraktur." I was delighted to introduce myself to him after the program and showed him an image of my TLK, which he pronounced to be an important example of the form.

Looking forward to receiving a copy of his article, written some years back, specifically on the topic of Lover's Knots. I've heard of it, but haven't been fortunate enough to encounter a copy of it to date. Of course, I do hope he follows up and sends it on to me. If not, I met two other attendees who have access to a copy, so I can pursue those avenues if necessary.

This link is to just one of the 5 TLKs in the Free Library's collection, which I saw in person last year, thanks to an aid in the Rare Books Department:

http://tinyurl.com/y9md9vb

Clearly it relates to the piece I own, both in terms of geometric form and the copy included in the labyrinth bands—tho it dates a full 20 years after. All five TLKs in the PFL collection date after mine, and—unlike Hugh Pugh's—all are anonymous (unsigned) and undated.

I highly recommend a visit to the current exhibit of Fraktur in the 3rd Floor Rare Books department galleries. The exhibit is entitled Art and Artifact: Pennsylvania German Fraktur. It's on display until November 10th of this year. This links to the fantastic Digital Collection of 13,000 Fraktur in the PFL's collections:

http://libwww.freelibrary.org/fraktur/index.cfm