Keep it or Sell it?

I submitted the Knot to Real Simple magazine, via a contact at Time, Inc., last year. As a result, its image was published along with a brief caption in the June 2008 issue which hit the newstands the week of May 11th.

It also appears online at this link:

http://www.realsimple.com/realsimple/gallery/0,21863,1739324-9,00.html

The article, "Keep It or Sell It?" appeared in the Home section and was subtitled: "Sometimes only an expert can tell whether an object is worth $350 or $3.50. Nine Real Simple readers find out the value of their stuff."

The image and the copy relating to the Knot appeared in the 9th, last column, of the 4-page piece. I suppose it was the penultimate placement, as it was the piece with potentially the most monetary value attached to it.

The article was written by Nicole Sforza, the editor of the Home section, and Kendell Cronstrom. The appraisers they enlisted to examine the submissions included two who were quoted regarding the Knot's value-- and their opinions differed.

Susan Bednar Long, a principal of Tocar Interior Design in NYC, suggested it could be worth thousands, but that it "probably has more sentimental value"... while Jim Antone, owner of Pleasant Cove Antiques in Florida, disagreed, suggesting it "belongs in a museum" and estimating its worth at tens of thousands.

Today, I followed up my email correspondence with Samuel T. Freeman of Freeman's -- "America's Oldest Auction House" on Chestnut Street in downtown Philadelphhia.

I met with two representatives at their bi-monthly Wednesday open appraisal days-- Amy Parenti, the Coordinator and Jim Buckley, the Executive Vice President.

They seemed intrigued, and suggested that I leave the piece-- yes, I got a receipt!-- for review by one of their Americana experts in the field. I should have their appraisal in writing in about two weeks. In the meantime, the Lover's Knot resides in their temperature-controlled vault until I can retrieve it.

I supplied them with lots of "provenance" materials for reference, which they made copies of as well. I feel that I'm doing the right thing, protecting this family asset by having it properly appraised, and ultimately insured.

Hugh Pugh's fine work is now published nationally and I'm thrilled to have brought his legacy into the light of day.